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The Indian Wars Never Ended

Reaching
out to a younger audience than its normal group of supporters, the
Native American Rights Fund of Boulder, Colorado has created a dynamic
audio and video public service announcement now running on its Web
site, as part of its campaign on the theme “The Indian Wars Never
Ended.”
The music was produced and performed by the Pawnee/Seminole hip-hop
group Culture Shock Camp, led by Marcus “Quese IMC” Frejo and his
brother Brian “DJ Shock B” Frejo. Its drums, synthesizer,
Native-language chants and English lyrics produce a catchy and
effective message linking NARF’s legal battles of today with Indian
warriors of the 19th century who fought to preserve their lands and
ways. The band will also release a CD this year to benefit NARF and
promote the legal-eagle group at concerts.
While at the site, one can also order T-shirts created for NARF by
Bunky Echo Hawk (Pawnee/Yakama) and Ryan Red Corn (Osage) and other
goods, and sign up to become a modern-day warrior for NARF. Details:
moderndaywarrior.org
Urban Natives Unite
It’s no secret that American Indians and Alaska Natives who live
in urban areas outnumber Natives who live within reservations and in
Native villages by a two-to-one ratio. And now, urban Indians are
quietly letting their collective voice be heard.
A three-year-old organization called the National Urban Indian Family
Coalition (NUIFC) is seeking to empower this so-called sleeping giant.
NUIFC, based in Seattle, is a national network of urban Indian
organizations aiming to strengthen Indian families and to bring
positive change for urban Indians by reinforcing cultural identity
through partnerships with tribal governments and other institutions.
It is a natural extension of tribal sovereignty, according to leaders
who recently met at the American Indian Center of Chicago to discuss
how urban Indians can combine their economic and political influence to
enhance the quality of life for all Native people.
“We are developing strategies to partner with tribes to invest their
dollars and political clout in urban areas. This is a natural expansion
of Indian sovereignty into urban areas—tribes partnering with their
urban brothers and sisters,” said Syd Beane, Native American Team
Leader at the Center for Community Change in Minneapolis.
Three prominent Indian organizations—the National Congress of American
Indians Policy Research Center, NUIFC and the Harvard Project on
American Indian Economic Development—have formed a partnership to
conduct a multi-year comprehensive research project called “Revealing
an Invisible Population: Urban Indian Communities and Families.” It is
aimed at providing a current snapshot of the socioeconomic status,
well-being and overall experiences of urban Indians.
“Our (NUIFC) long-term goal is to help in ways to improve the capacity
and services provided by urban Indian centers and organizations,” said
NUIFC Coordinator Janeen Comenote (Quinault). Details: nuifc.org
—Harlan McKosato (Sac & Fox)
Tribal Princess at an Historic Juncture

On
Feb. 15, 2007, some 400 years after their ancestors aided the suffering
Pilgrims, the Mashpee Wampanoag tribe of Massachusetts was formally
recognized by the federal government as a sovereign Indian nation.
Coinciding with this historic designation was the selection of Madas W.
Pocknett to serve as the reigning Mashpee Wampanoag Pow Wow Princess.
Pocknett feels especially honored to be serving as the tribe’s princess
at this crucial time. Keeping the cultural fires burning, educating
other cultures about her ancient and enduring heritage, and serving as
a role model for young people are her three working goals.
“This experience has changed my life, because finally my little-kid
dream has come true,” she says. “But beyond that, I’ll strive to be the
best role model I can be for the youth and to teach them the
traditional ways. I’ll try my hardest to be a liaison between the tribe
and the youth.”
Pocknett’s official travels this year will take her to more than 15
powwows across the country. In April, she proudly represented her tribe
at the Gathering of Nations Pow Wow in Albuquerque, and she will do so
again at her tribe’s powwow, held annually on the first weekend of July.
The daughter of Shelly and David Pocknett is 17, a senior at Sturgis
Charter Public School. She has been accepted at the University of North
Carolina at Pembroke to study nursing.
The Mashpee Wampanoag’s ancient homeland extended in a 50-mile radius
from Cape Cod in Massachusetts north along the Atlantic Ocean to just
below Boston and west to Providence, Rhode Island. Wampanoag means
“People of the First Light” or “People of the Dawn.” Details:
mashpeewampanoagtribe.com
—Kathy Sharp Frisbee
music notes

CDs
pour into our office at an increasing pace. Here’s a look at of some of
the best contemporary work. First out of the gate in a planned
four-part series of works by the band Sacred Earth, each exploring the
moods and metaphysical attributes associated with the cardinal
directions, is the enchanting Wind of the West (Makoché). Leading the
vocals is well-known musician Bill Miller (Stockbridge-Munsee Mohican).
Other Native musicians appearing on this CD, which was produced by the
accomplished Peter Kater, include Kevin Locke (Lakota/Anishinaabe),
Rita Coolidge, Joseph FireCrow and Arvel Bird (Paiute)… The popular
reggae band Native Roots, led by vocalist Shkeme Garcia (Santa Ana
Pueblo) and keyboardist John Williams (Dakota), has finally released a
new CD, Celebrate (SOAR), a make-ya-wanna-dance collection of a dozen
tunes that undercuts its fun pace with some pointed lyrics… Arguably
Indian Country’s best-known musician, the prolific flautist R. Carlos
Nakai has not one but two new albums out on Canyon Records. Voyagers is
a duo effort with classical cellist Udi Bar-David that melds Jewish and
Navajo/Ute music traditions. Reconnections finds Nakai teaming up with
Randy Wood (Cree), Cliff Sarde and William Eaton, exploring electronica
forms woven together with Nakai’s masterful flute work… Art Napoleon
(Cree) has an easygoing, toe-tapping album out, Miyoskamin
(pacificmusic.net), featuring acoustic guitar, fiddle and lyrics in
Cree and English… While it’s tame by today’s standards, hip-hop artist
Shadowyze (Muskogee Creek/Cherokee) has released a self-titled CD with
one rather raunchy song, “Lil’ Mama,” a more playful tune titled “Boom
Boom” with less-explicit lyrics and killer female backing vocals, and
one fine track addressing Native issues, “Bumpy Roadz.” Check it out at
shadowyze.net… Someone else really making huge waves in the music
industry is Yellow Thunder Woman (Ponca), lead singer and lyricist for
the Bastard Fairies (thebastardfairies.com), whose debut album Memento
Mori is doing quite well… Also just out is a double-disc album, Silence
Is A Weapon (blackfire.net), from the young Navajo punk and thrash
rockers Blackfire, which comes with two 12-page booklets… Robert
Mirabal (Taos Pueblo) is back on track with his new In the Blood
(starroadrecords.com), a group of favorite and new love songs and
tribal-tinged rockers in Tewa and English.
shards

For
the first time in some 500 years, the Maya of the Caribbean coast of
Mexico will recreate a sea voyage on July 1 and 2 between the harbor of
Xcaret, the island of Cozumel and Playa del Carmen, reenacting both the
hazardous crossing in five hand-carved canoes and ancient ceremonies
associated with the journey. Details: xcaret.com
Multimedia art and fashion maestro Virgil Ortiz (Cochiti Pueblo) wowed
a crowd of more than 400 at a fashion show of his latest works at the
upscale Scottsdale Museum of Contemporary Art on a rainy night in
March. Garments of leather, plastics and fibers in his new “Le Sauvage
Primitif” line were modeled by a bevy of beauties, male and female. The
show kicked off with the impressive violinist (and dancer) Quetzal
Guerrero (Juaneneo Mission/Yaqui/Cambiva) playing with the eclectic
rock band Cascabel.
The Morris K. Udall Foundation of the University of Arizona is sending
a group of its alumni on a seven-week public-service tour of America in
a biodiesel-fueled vehicle this summer. Traveling in the world’s first
“green certified” motor coach, the young adults in the Legacy Tour will
work on environmental, educational and cultural-preservation projects,
including building campgrounds with the Confederated Tribes of the
Grande Ronde in Oregon on July 25 and work with the United Houma Nation
in Louisiana on July 6. The tour, which will visit 32 locations, kicked
off in Washington, D.C. on June 12 and ends in Tucson on Aug. 4.
Details: udall.gov
The American Indian College Fund has received five-year, $17.5 million
grant from the Lilly Endowment to be used for a wide range of
initiatives, from faculty-enrichment and student-retention programs to
adding fellowships and developing honors programs. Details:
collegefund.org
For the first time in six years, the Federal Communications Commission
is dishing out FM radio licenses for full-power, noncommercial,
educational radio stations. Native communities are being encouraged to
apply by the deadline of Oct. 12. Details: nativepublicmedia.org
The recent opening of the One Moon Art Gallery in Esquimalt on
Vancouver Island to showcase the paintings and prints of Darlene Gait
(Coast Salish) was accompanied by the raising of a totem pole carved by
Doug La Fortune (Coast Salish). Details: darlenegait.com
At long last, Chief Illiniwek, the mascot of the University of Illinois
sports programs, has been axed. In February, the university officially
retired the 80-year-old mascot that encouraged white students to
decorate in buckskin, feathers and paint and ape American Indian dances
during football and basketball games.
Bruce Bernstein will serve as the acting director of the Southwestern
Association for Indian Arts, the organizers of the annual Santa Fe
Indian Market, until the organization can find a replacement for David
Cloutier.
passages
Anita Tsosie (Navajo) was shot and killed on April 9 in her home near
Cortez, Colorado. She was 48 and the mother of two children, ages 21
and 14. A week later, her estranged husband was found dead of an
apparent suicide. The well-known and much-loved weaver (see profile in
our Sept./Oct. 2005 issue), who took the Best of Show award at the 2004
Santa Fe Indian Market, was also a master at natural dyeing techniques.
A memorial fund has been established for her children’s education:
account number 4879028969, Vectra Bank, 350 W. Montezuma, Cortez, CO
81321.
Details: 505/716-3529
Role model, cultural carrier, singer, master storyteller and teacher
Nellie Two Bulls (Oglala Lakota) died on Feb. 18 at age 81. She taught
at Red Cloud School for some 20 years, sat on the boards of the Journey
Museum in Rapid City, South Dakota and KILI radio station, and was a
member of the Oglala Sioux tribal council. She received many high
awards and honors over the years, and her passing will leave a void in
the Lakota community.
honoring

Metalsmith
and jeweler Shane Hendren (Navajo) has been named Artist of the Year by
the Indian Arts & Crafts Association for his stunning abilities in
mixing disparate metals in single works and mastery of a Japanese
laminate technique called mokume-gane, as seen in his reversible
necklace “Sacred Circles.” Other major awards went to Charlene Sanchez
Reano (San Felipe Pueblo) for lapidary work, to Caroline Carpio (Isleta
Pueblo) for a bronze pot, and to Mary Lou Big Day (Crow) for a beaded
buckskin cradleboard.
Glass artist and printmaker Marvin Oliver (Quinault/Isleta Pueblo) has
been chosen as the lead artist for the 2007 Santa Fe Indian Market. His
career (see July/Aug. 2006 issue) spans more than 40 years and includes
monumental-scale works.
Six grants ranging from $2,500 to $6,875 have been awarded to American
Indian musical artists in the inaugural round of grant making of the
First Nations Composer Initiative, a program of the American Composers
Forum, with support of the Ford Foundation. Recipients are: Whitney
Rencounter (Dakota), who will lead formation of a Dakota/Lakota youth
drum group; Dawn Avery (Mohawk), who will oversee composition of three
solo or small ensemble pieces for the cello; Chenoa Egawa (Lummi), who
will research song keepers and compose, arrange and record rarely heard
Coast Salish music; Wade Fernandez (Menominee), who will professionally
re-master, release and promote his sixth CD, 4 The People; Joy Harjo
(Muskogee/Creek), who will record a demo CD of new music blending
traditional Muskogee music with other genres; and George Quincy
(Choctaw), who will record a new four-movement work for orchestra and
Native flute commissioned by James Pellerite. Applications are pending
for the next round of grants. Details: fnci.org
Jennifer Kreisberg (Tuscarora), one member of the Ulali trio, has won a
Genie Award from the Academy of Canadian Cinema & Television for
achievement in music for her song “Have Hope,” which she composed and
performed for the 2006 film Unnatural & Accidental. The song will
be included in her forthcoming solo album.
Tohni Laverdure (Little Shell Chippewa Tribe) was selected as a
participant in the Youth Leadership Institute of the American Legacy
Foundation for training in public health issues related to smoking. The
senior at Great Falls High School in Montana was one of 11 students
picked nationwide.
Leela Gilday (Dene) walked away with the 2007 Aboriginal Recording of
the Year Award for her CD Sedze at the recent Juno Awards (Canada’s
Grammy event). Born and raised in Yellowknife in the Northwest
Territories, the Vancouver resident mixes her powerful soul-style voice
with Native elements and profound lyrics.
Inuit throat singers Lois Suluk-Locke and Karen Panigoniak of Arviat,
Nunavut, Canada will be performing at the Festival of World Cultures in
Dublin, Ireland in late August. They are the first throat singers to
perform in the Emerald Isle, and will appear through the efforts of the
Native talent agency Bronitsky & Associates.
Kade L. Twist (Cherokee) has been presented the 2007 First Book Award
for Poetry by the Native Writers’ Circle of the Americas for his
narrative book-length poem Amazing Grace. It is a contemporary
retelling of the Cherokee myth of the hunter and the buzzard. Twist is
also a visual artist and journalist.
Film producer Chad Burris (Chickasaw) has been awarded a Mark Silverman
Fellowship for New Producers from the Sundance Institute for
pre-production on his upcoming project The Left-Handed Path, written
and to be directed by Blackhorse Lowe (Diné).
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