In his mind's eye, Isleta Pueblo sculptor Tony Jojola already can see the forms: water jugs, seed jars, decorative pots of every design and description, all blessed by the same sacred element as clay-fire-but made of a substance that radiates the sun-glass. Lloyd Kiva New (Cherokee) believes a studio glass center and glass-blowing project now taking form at Taos Pueblo will evolve into "one of the most significant Native American art movements since beadwork in the 1700s and metal-smithing and the use of silver in the 1850s."