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2006 November/December
By Site Editor
| Published 10/31/2006
| Music , Cultural Items , Photography/Graphics , 2006 , Confederated Tribes of Warm Springs , Diné , Comanche , Quechua , Yaqui , Sioux , Seminole , Muskogee , Apache , Tlingit , Haida , Pueblo , Dakota , Blackfeet , Navajo , Cherokee
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 ON THE COVER
Musician and flutemaker Bryan Akipa (Sisseton-Wahpeton Sioux) seen here
holding a five-hole, old-style Dakota flute he created around 1984 from
eastern aromatic red cedar he gathered from the Badlands of South
Dakota. Photo by Don Doll, J.S.
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Book Review: NavajoLand
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 NavajoLand
A Native Son Shares His Legacy Text and photography by LeRoy DeJolie (Navajo); foreword by Tony Hillerman; Arizona Highways Books; Phoenix, AZ; 2005; 80 pages; $12.95 paperbound Reviewed by Debra Utacia Krol (Salinan/Esselen)
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Traditional Fashion From Seminole & Plains to Navajo & Pueblo
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 Larry Price—originally from Sheep Springs, New Mexico and a member of the Navajo Nation—has a passion for creating photographic images. Price didn't get serious about photography until January 2002 when he came across an article in Photographic Magazine about a photographer from Flagstaff, Arizona. The imagery in those pages moved him.
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The Art of George Morrison and Allan Houser
By Gregory Schaaf, Ph.D. (Cherokee)
| Published 09/1/2004
| September/October , Painting , Photography/Graphics , Sculpture , Gregory Schaaf, PhD. , Museums , US Travel , Apache , Chippewa
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 Two giants in 20th-century Native American art, Allan Houser (19141994) and George Morrison (19192000), are being honored in a lead inaugural exhibition at the brand-new National Museum of the American Indian. "Native Modernism: The Art of George Morrison and Allan Houser" will open Sept. 21, 2004 in Washington, D.C. as one of five major shows at the new facility. The exhibition will display approximately 200 works of art in several media.
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Through Native Eyes
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 Non-Native photographers historically have ventured into Indian Country with the notion that their work would be the final visual commentary of the "vanishing American Indian." Beginning a century ago, they made their way on foot, wagon and horse carrying fragile glass plates and cumbersome, weathered view cameras. Some contemplated whether they would get rich or famous, or both.
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