 |
|
|
|
|
|
|
|
| Passamaquoddy |
|
|
|
»
2008 May/June Table of Contents
|
|
 ON THE COVER
David Moses Bridges (Passamaquoddy), in the rear of the canoe, and Cody
Brooks (Maliseet), in the bow, paddle Bridge’s handmade birchbark canoe
on a tributary of the Wolastaq (The Beautiful River)—today known as
the St. John of Maine. Bridges, who learned his craft from his
grandfather and great grandfather, is one of the few people living who
can create such magnificent vessels. Photo by Darel Gabriel Bridges
(Passamaquoddy).
|
»
1995 Spring
|
|
 ON THE COVER
A three-dimensional computer model displays how the interior may have
looked in A.D. 950 inside a Cahokia building in today’s state of
Illinois. Inset: actor and singer Floyd Red Crow Westerman (Oglala
Sioux) at a recording session for the television documentary 500 Nations.
|
»
2005 September/October Museums
|
|
 Abbe Museum
The Mocotaugan, or crooked knife, was an essential tool for Native people of the Northeastern Woodlands. Early European explorers described the knife as “peculiar” because of the angle of the blade to the wooden handle. Originally made using flint instead of steel, the Mocotaugan had a wide range of uses, including building canoes and wigwams, cutting strips to use in basket weaving, and making bows and arrows.
|
»
2001 May/June
By Site Editor
| Published 05/1/2001
| Navajo , Hopi , Aleut , Inuit , Iñupiat , Athabascan , Haida , Tlingit , Anishinaabe , Passamaquoddy , Penobscot , Tewa , Micmac , Ojibwe , Tsimshian , Maliseet , Diné , 2001
|
|
 ON THE COVER
Northwest Meets Southwest
Southwestern
Native artists travel to the Pacific Northwest homelands of the Haida
people, and a group of Haida artists travels to the Southwest, to trade
new methods of creating art, forging bonds of friendship and
discovering their common natures.
Click on "Full Story" to view entire Table of Contents.
|
»
2001 July/August
|
|
 ON THE COVER
Fritz Scholder: A Lust For Life
An in-depth look at and conversation with a leading figure of the
contemporary Indian art world, including a glimpse back at his
formative years in Santa Fe; his views on life and death; discussion of
his current work, exhibitions and a new book; and the role of an artist
in the world.
Click on "Full Story" to view entire Table of Contents
|
|
|
|
|
|
|
|
full story
printer version